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“This is a lyre, very old,” said Mr. Crump, handling an ancient instrument tenderly. Moses looked up suddenly, he hoped nothing he had said called forth the remark. The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear. “It was quite all right,” answered Nell, anxiously watching for the reappearance of Mr. Wopp’s knife, “Mr. Eliot gave me a glorious drive over the prairie behind his team of greys, but,” with a sly look towards the young rancher, “I don’t believe he likes to meet trains.”.

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“Wisht I had two bits.” Whose hearts never—” When brother and sister left her, strange thoughts flitted through her head. She heard Mrs. Bennett beating eggs in the kitchen; saw the logs Billy had piled in the wood-box. On the wall above the piano hung Edith’s schedule—time table, Billy called it. May Nell had already studied it, had seen the fifty or more lessons set for each week; and needlework on the music table, and books there the child had discovered were for music study,—these told her what a busy woman Billy’s sister must be. Around the outside of the garden was a border of fragrant mignonette. Inside of this was another of white candytuft. This double wall encircled a splendid array of flowers. There were dwarf nasturtiums, red and yellow, a tangled mass of sweet peas clambering up a yard or two of chickenwire, bright marigolds and asters of various colors. Velvet pansies added their soft charms to the display. But most brilliant of all stood a few hollyhocks. Many of their kin had perished in a struggle against the fierce winds..